Community policing is "personalized policing" that involves the same officer patrolling the same areas on a permanent basis, operating from a decentralized ministation and working with citizens to identify and solve crime problems.

Despite widespread public support for police department decentralization, permanent assignments, and the development of citizen/police partnerships with local communities, the issue remains a controversial one. Community policing necessarily requires a radical transformation of what police have traditionally done. Full adoption of community policing involves substantial organizational change, including the leveling of the bureaucratic hierarchy, and, unsurprisingly, there is considerable resistance to such changes within police departments.

This book is an examination of the development of community policing in Seattle, Washington. Exploring the processes of legitimation, urban politics, and micro-organization, the author shows how one police department negotiated both the internal and external political pressures to create community policing -- and the level of success attained.

James J. Gibson's numerous theoretical and empirical contributions to the understanding of how people perceive were innovative, controversial, often radical, and always profound. Many of his ideas revolutionized the science of perception, and his influence continued to grow throughout the world. This book, originally published in 1982, is a collection of the most important of Gibson's essays on the psychology of perception. Drawing from the entire corpus of Gibson's papers, the editors have selected over thirty works dealing with such diverse topics as ecological optics, event perception, pictorial representation, and the conceptual foundations of psychology. The editors' goals in preparing the volume were twofold: first to provide easy access to Gibson's most outstanding papers and talks, including some that were previously unpublished; and second, to provide an intellectual biography of Gibson by including essays from the different periods of his career.

James J. Gibson's numerous theoretical and empirical contributions to the understanding of how people perceive were innovative, controversial, often radical, and always profound. Many of his ideas revolutionized the science of perception, and his influence continued to grow throughout the world. This book, originally published in 1982, is a collection of the most important of Gibson's essays on the psychology of perception. Drawing from the entire corpus of Gibson's papers, the editors have selected over thirty works dealing with such diverse topics as ecological optics, event perception, pictorial representation, and the conceptual foundations of psychology. The editors' goals in preparing the volume were twofold: first to provide easy access to Gibson's most outstanding papers and talks, including some that were previously unpublished; and second, to provide an intellectual biography of Gibson by including essays from the different periods of his career.

No matter what your orientation, EVERYbody's a little "Aqua-sexual," especially when the subject is Mermaids Illustrator Edward Reed takes a moist and salty excursion into the deep to showcase that rarest and most sea-going of mythical creatures in this glorious gallery of full color portraits Creatures of such mythical delight become as real as the girl-fish next door Come get a net-full of delights

Edward Reed is a unique artist who delights in the old-school masters of pin-up like Vargas, Elvgren and Petty, yet he has a fascination for photo-realism that borders on the surreal. He has the practised ease of an expert when it comes to real-world airbrushing, yet has no difficulty bringing that talent to a computer screen. Whether analogue or digital, the finished illustration is what's important, and Reed brings outstanding style and beauty to all his creations. His women are classic in form yet modern in sensibility - just the right mix for a 21st Century pin-up artist! This first collection of this works - "Portraits & Pin-Ups", is well named, as it showcases both his serious and fun sides to an appreciative audience. Also an in-demand instructor, Edward has assembled a fascinating step-by-step to show how he creates such intricate and amazing masterworks.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.